Yakel, Elizabeth, “Museums, Management, Media, and Memory: Lessons from the Enola Gay Exhibition,” Libraries & Culture 35, no 2 (2000) 278 - 310. Thelen, David, “History after the Enola Gay Controversy: An Introduction,” The Journal of American History 82, no 3 (1995) 1029 -1035. Mayr, Otto, “The Enola Gay Fiasco: History, Politics, and the Museum,” Technology and Culture 39, no. Launius, Roger D “American Memory, Culture Wars, and the Challenge of Presenting Science and Technology in a National Museum,” The Public Historian 29, no 1 (2007) 13-30.
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Kohn, Richard H, “History and the Culture Wars: The Case of the Smithsonian Institution’s Enola Gay Exhibition,” The Journal of American History 82, no.
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Hubbard, Bryan and Hasian, Jr, Marouf A, “The Generic Roots of the Enola Gay Controversy,” Political Communication 15, no. The controversy over how history should represent dropping an atom bomb on Japan came to a head in 1994 when the Smithsonians National Air and Space Museum drafted an exhibit entitled 'The Crossroads: The End of World War II, the Atomic Bomb and the Cold War' around the refurbished Enola Gay to mark the 50th anniversary of the end of the war in 1995. Harwit, Martin, “How Lobbying Changed the History of the Enola Gay,” Japan Quarterly 44 (1997) 48-59. O’Reilly, Charles T, and Rooney, William A, Enola Gay and the Smithsonian Institution (Jefferson: McFarland & Co, 2005).Ĭorrell, John T, “The Smithsonian and the Enola Gay,” Air Force Association Special Report (2004) Aerospace Education Foundation, 32. Linenthal and Engelhardt eds, History Wars: The Enola Gay and Other Battles for the American Past (New York: Henry Holt and Company, 1996). dc.contributor.advisor: De Groot, Gerard J. Kohn, Richard H, “History at Risk: The Case of the Enola Gay” in Linenthal and Engelhardt eds History Wars: The Enola Gay and Other Battles for the American Past (New York: Henry Holt and Company, 1996). The exhibit that bombed : the Enola Gay controversy and the culture wars in the United States Item metadata. Mature and curious visitors to my Atomic History Museum will be made aware that these events in history are controversial, emotionally jarring and gruesome by. Kurin, Richard, Reflections of a Culture Broker: A View From the Smithsonian (Washington: Smithsonian Institution Press, 1997). Harwit, Martin, An Exhibit Denied: Lobbying the History of the Enola Gay (New York: Copernicus, 1996).
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H., What is History? (Harmondsworth: Penguin Books, 1964).ĭubin, Steven C, Displays of Power Memory and Amnesia in the American Museum (New York: New York University Press, 1999). Bernstein, Barton, “The Struggle Over History: Defining the Hiroshima Narrative” in Philip Nobile (ed) Judgement at the Smithsonian (New York: Marlowe & Company, 1995).Ĭarr, E. The Enola Gay Controversy and Public Opinion Today In 1995, the director of the Smithsonian National Air and Space Museum resigned after veterans organizations, conservatives, and even Congressmen protested a planned exhibit of the Enola Gay on the 50th anniversary of the end of World War II.